Mikhail Belchev celebrates 50 years on stage with an exclusive concert in hall number one at the National Palace of Culture. 4,000 spectators including Iliyana Yotova, Dimitar Glavchev and Rumen Petkov, applauded the bard of Bulgaria and sang with him and his guests – pop and rock stars of several generations. Many of the mega-chitches that Miche colleagues and friends took over stormy ovations were in his poems. It was also one of the great messages of magnificent spectacles – pedestrians who were born to the authors of texts and compositions that will remain forever in the history of native pop culture. This is one of the personal causes and mission of Mikhail Belchev, who has long served in the temple of national values. They all said that only a man and artist with the nobleness and wisdom of Misho could be the soul and the engine of such an impressive and multifaceted event that encoded respect for the talent of the other – far from any nuances of unhealthy competition. It is no coincidence that every guest of Mišova thanked him from the heart, the younger ones leaned forward and Toni Dimitrova called him "the wizarding words". Maestro sang some of his greatest hits, including the informal sculptural anthem "Boulevard", "Youtube goes," "Do not grow old, love." He then created an outstanding quartet with three perfect guitarists – Valery Gradinarsky, Dr. Georgi Denkov and Assen Maslarski – for songs from early youth with the first two. He told them how they traveled around Bulgaria for endless concerts and concerts. Misho returned to the very beginning of his enchanting career when, in 1968, he became increasingly famous, he played compositions about his own works and with notes by Naiden Andreev, with whom he was a member of the Institute of Mining and Geology and a celebrity in the local rock band "Bees". Below the headlights a unique duet took place – Mikhail and Konstantin Belchevi sang "We can have many women" by Naiden Andreev and Stefan Tsanev. Kosyo is an excellent and very artistic partner of his famous father and later performs with his band with Akaz Agassjan and with a special participation of Stundja. Kristina Belceva received only applause from her men. The beautiful actress raised the voice for the musicians and took the audience's wits. He lectures the poems of Misho Belchev and his colleague Silvia Lulchev, and then takes a microphone to fill their husbands with a pair of pants that are always eagerly awaited by music lovers. Among them, of course, was a song in which Misho Belchev tells how he met a very young and beautiful Christina on the New Year in the snow covered with Sofia. Heagachod Agassjan dedicated his first wife, Mary, celebrating 31 years of marriage, and the other of Belchevi, whom she and her wife are married to their marriage. Stefan Dimitrov, who created the music of dozens of greatest hits in the Misch guitar, produced mini mono glasses in his favorite French style. Bogdan Karadocheva joined him for "I do not care" – husbands for decades are also family friends of Belchevi: "I'm first with Misho from here, we are together," the composer said. People welcomed and sent with oath Vasil Naydenov, Silvia Katsarova, Jordan Karadzov, Toni Dimitrova, Stefan Diomov and Five Seasons, Nelly Rangel, Ilija Angelov, Kamelia Todorova, Milica Božinová, Etienne Levy and Trick, Gina Ivanov, Bogdan Tomov, Kiril Kalev and Nasko Penev from BTR … Three Gramophones congratulated a graduate of the Cherkasov Art Academy in St. Petersburg Belchev with "Your Lady, Mrs. Udach." Vlado Penev did something unexpected and great – "Bitter" in Kpactiyan Buyadzhiev and Misho is crazy. Some time ago it was Jocelo Pocic's latest earthly statement. Bard finished with "B Polymie" in the scene of Cepan Dimitpov – one of his ballads with amazingly powerful words and philosophy. At the end of 4000, they stood on their feet and sang with Veselin Marinov "For You Bulgaria" – the second unofficial hymn of the verse Misho with the music of the unforgettable Toncho Russev. The conducting of the great show was directed by Niki Aprilov. On the huge video wall there were amazing clips that were "tied up" on the scene and its characters.