If we have to die, then we'll do it best if – even if you reach a great age – the world is dancing according to your melody. Stan Lee died in the manner of Charlemagne. Marvel Cinematic Universe now acts above popular culture and compares itself to the ruling government of the Holy Roman Empire in the 9th century. Charlemagne died for 72 years. Stan Lee was 95. So in a sense, the Emperor of the Comic died even more successfully than the French branch.
The highest triumph lasted for a while. Living as a pupil Marvel in his golden years – in the early sixties to the mid-1970s – he was part of a subculture that lost control and penetrated into the mainstream. The sense of cultural membership was more significant if you lived on this side of the Atlantic. Marvel made sporadic efforts to publish in the United Kingdom. (In 1976, he even started the originally incorrect title named Captain of Britain.) Some versions were reprinted in black and white. Some stories were cut into smaller pieces to accommodate those who are in the triangles A tiger and Beano. But real juice was found in hard-to-find American originals.
Writing at an age when all the popular culture of all time flows in a constant stream from infinite canals, it is difficult to tell how precious comics appear to be. It seemed unreasonable and inexplicable, as if any mystic cabal controlled their division. One stubborn reputation claims that American comics have been sent as a burden on ocean vessels. All we knew was that every time and there, without warning, a stack would appear in the darker areas of news. This Spider Man may come from a year earlier. This Luke Cage he could do it in a few months. America's smell.
The cultural distance between the United States and Western Europe was vastly greater than today. We have emerged in the barely believable (borderline, fraudulent, now seems) ads of the tastes and technologies that belonged to other planets. We caught up in the vast range of Marvel universe. And we warmed up on the cartoon version of Stan Lee, the then publisher Marvel, who appeared sporadically in his organs.
When reading American comics in irregular, fragmented fashion, it was difficult to keep track of ongoing myths
Like Alfred Hitchcock, he developed a personality that helped admire art. A mustache dense, hair extravagant, set off an informal patois that you did not get out of middle-aged men east of Martyna's vineyard. The publisher had phrases. "" Nuff said, "he finished an argument, and his columns closed" Excelsior! "We found out that the liberation of civilians accepts" confectionery "and" nylons "from the loud GIs Some links have been lost to us. , why Spiro Agnew, the deputy chairman whose impotent shame preceded Richard Nixon, was such a ridiculous figure towards Stanovi, and this mystery only added to the attraction.
We were also on board with two innovations that characterized Marvel's triumph in the 1960s: the embrace of everyday fragility and the creation of a wider universe in which all the titles were occupied. He read American comics in irregular and fragmented fashion, it was difficult to watch the soap opera, but it was clear that Peter Parker, the alter ego Spider-Man, had an inner life that was not admitted to Alf Tupper Winner) or Union Jack Jackson (British Marine in Hotspur). He had a delicate aunt. He had several girlfriends. He was bullied at school and then at Daily Bugle. "Monsieur Parker, how are you," as Flaubert did not say.
It was the second innovation that was most useful in acquiring Marvel's current dominant position. The publishing house released "Team-Ups," in which, for example, Spider-Man and Namor Submariner, will turn Armageddon in the month. Dr. Doom was most often the antagonist of The Fantastic Four, but he also had cracks at Black Panther and Iron Man. Heroes gathered as avengers and defenders.
The most successful franchise
Surprisingly, Marvel has gone to the box office for so long. Two big ambassadors rivaling DC Empire – Batman and Superman – triumphed in earlier franchises, but until 2002 Spider-Man from Sam Raimi cracked Marvel. Six years later, Jon Favreau appeared iron Man launched the Marvel Cinematic Universe. Episodes Captain America, Thor and Avengers followed. After collecting over $ 15 billion, the series is now the most successful franchise of all time. Helps the characters to be strong. It helps more – in an era controlled by sequel and spin-offs – they inhabit a fictitious universe that looks destined to expansion as long as the real universe. Soon there will be few MCU movies that you can see in your local cinema. Even Charlemagne could not imagine it.