Review: "Spider web girl" – Lisbeth Salander reduced to heroine A4

Action / thriller

Directed by:

Fede Alvarez

They play:

Claire Foy, Sylvia Hoek, Sverrir Gudnason

Premiere date:

November 9, 2018

age limit:

15 years

Original name:

«Girl on web spider»

«Mass action and few personalities.»

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FILM: It is not true that Stieg Larsson turns into graves to look at the development of his anti-hero Lisbeth Salander. But the impression she gained in the new film Millennium, "The Girl in the Spider Websites," barely recognized. Gone is dangerous, unhappy with no revenge. She was replaced by a robotic super girl (Claire Foy) according to the type of shower.

Claire Foy is the diametrically opposed figure of what we know from the "Crown". He is the first actor; it's a script that makes something wrong. Director Fede Alvarez built a film on David Lagercranz's book, a man who took over the project after the late Stieg Larsson. He made a technically good but incredibly traditional agent / superhero movie with a lot of events and few personalities.

Blond nurse

In Salandarian's character, as in previous films produced by Noomi Rapace and Rooney Mara, this is a tragic and bad story. This is initially described in a new movie in the scene where a brutal father (Mikael Persbrandt) will interfere with two little daughters Lisbeth and Camilla while Lisbeth plunges into the snow from the high porch and disappears. Camilla has almost not mentioned in previous films; Here she will appear 16 years later in Sylvie Hoek. She is as blond as Lisbeth is dark, but she's out.

Biljakt at Volvo

Where Lisbeth's character lacks much of his tragic and traumatized characteristics, other female figures of the film are shallow and cliché embroidered. Sister Camilla looks and acts as a middle Russian agent, and Sapos's wife, Executive Director Grane, is equally icy, arrogant, and entrepreneurial like most female intelligence bosses in spy movies. What stands out here is that Volvo appears in the vehicle.

The scene is Sweden. Lisbeth Salander just avenges a rich merchant with women when she gets a complicated hacker job. Former Deputy NSA National Security Council has developed a computer program that can provide access to all the world's nuclear weapons. He has conscious whales and wants to help clear him. Hackeren Salander is the right lady on this matter. In their black mikurites, leather trousers and leather jackets, they cross the Stockholm streets and embankments to their light-fast Ducati. The motorcycle even makes a trip through the ice at the inner harbor of the city.

Ice and snow

Winter paintings from Stockholm are exotic and seamlessly enter the mythical "nordic noir" performance. Night, ice and snow. This gives the whole movie a sort of minimalist touch, most of which is black or white, which is an expression that should be Salander's style. The fact that Sister Camilla, as Lisbeth thought she had committed suicide three years ago, suddenly appears as a red exclamation mark on all black-and-white melodramatic borders.

the blood of the poor

Lisbeth Salander is a male deputy, Milennium journalist Mikael Blomkvist (Sverrir Gudnason) has been reduced to the blood role in this film, almost a sort of help Lisbeth can call when he needs a favor. The relationship between the two is neither explained nor processed; His relationship with the female editor appears to be unloving and indifferent to the plot. The worst, however, is that Lisbeth Salander is reduced to a relatively normal action figure without sharp edges.


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