Film Days in Carthage are an essential event for film enthusiasts and Tunisians interested in culture. Every long-awaited festival of art and film lovers hosts a number of fictional films, documentaries, short, medium and feature films from several countries in Africa and the Arab world. An opportunity to reconnect with culture and find fresh air in a country that has recently been hit by terrorism.
He did not kill the attack on October 29, 2018, and yet he got into trouble in Tunisia. The young woman burst into the heart of Habib Bourguiba Street and made about twenty wounded. The attack took place near the Tunis Township and the cinema where Carthage Film Days were scheduled to be held a few days later. The overall panic in the capital, but the organizing committee keeps its cool: "No way to cancel the show," we learn the same day. Once this great cinematographic event on the scale is still said before it's done, it still takes place as planned.
Tomorrow, November 10, 2018, will be the 29thth the CGC, which began on 3 November. During this festival, there were at least 44 films selected from a total of 206 books in the official competition. 47 countries from the Arab world and Africa have participated in various competitions that offer extraordinary cultural miscegenation for the great pleasure of viewers who attend screenings and debates in the four corners of the country but also several neighboring countries and neighbors. Among other things, Tunisia, Morocco, Kenya, Congo, Algeria, Syria, India, Brazil, Senegal, Iraq, Rwanda, Lebanon, Egypt, Burkina Faso and others are participating in a competition with films that are not always easy for the viewer. 13 films from 9 different countries will compete to win Tanit d 'Or a feature film in 2018.
Some movies banned in your home country will be broadcast during the CGC. Includes "Rafiki", banned screening in Kenya, which returns to a sensitive subject of sexuality in this very conservative country.
As their return is made available, young talent enters the world of cinema and gives a real kick to the anthill and tries to tackle them more sensitive than ever before. In particular, we have identified issues of war in Syria, street life, drug devastation, prostitution, violence, sexual exploitation, religious extremism, psychological shocks, children born out of wedlock, extreme illnesses, marginalized minorities, and many other hot topics in countries where they are not always well receive. Tunisian films like "Fatwa", "Regarde-moi" and "My son" are also doing a lot of people about them.
The film days in Carthage are not a recent event. They were born in 1966, they created "Founder" Tahar Cheriâa, Tunisian director and screenwriter, as well as a true link in the cinema world. Since 2014, when the events were once every two years, they are annual.
"2016 was the occasion for the celebration of the 50th anniversary of the Joint Consultative Committee, 2017 a year of balance and reform, 2018 a year of confirmation of the elections last year and the opportunity to offer more prospects for joint consultative commissions at regional and international level" , wrote Nejib Ayed. In his editorial office, the Director of the Joint Consultative Committee says that if "The festive and popular aspect of JCC is important and the festival is undoubtedly the largest party in the country" it is absolutely essential for the festival to focus on the foundation by confirming its African and Arab vocations, its will to be "Southern Festival" to deepen his creativity and militant dimension. The festival also follows its policy of decentralization by organizing 4 simultaneous festivals in cities within the country.
This year, and for the first time, the JCC also took place in El Mornaguia prison through the first screening of "Look Me In The Eyes" Nejib Belkadhi. This year, the 29th Joint Consultative Corps coincided with the introduction of the City of Culture to the Tunisian center, which brought the festival a better infrastructure and organization.
For years, the film days have been in Carthage for Tunisians who are interested in cultural innovations and artistic dynamics that are often lacking in Tunisian cities. Each year, within a week, JCC brings an attractive audience of about 200,000 people to cinemas and 2 million people to the Tunisian hypercentre. On the Tunisian red carpet, the celebrities wear their best clothes, compete with creativity, originality and sometimes ridiculous.
But the tribute to the work of art and the life of works and artists who come to compete is a form of resistance to the shadow surrounding. In Tunis, while the political class is torn to know who has power in the country, the Tunisians are waiting to take part in the latest cinematographic works and discuss more important topics for their lives …